The Steve Allen Show: Diana Dors Hooray For Love (1960)

Source:The Daily Review

It’s simply not possible for me to see too much of Diana Dors right now and believe me I’ve tried. If I don’t get over this compulsion fairly soon I might seek professional help. She along with Anita Ekberg, Ava Gardner, Liz Taylor, Shelley Winters, are my favorite not just Golden Age Hollywood Goddess’s right now, but my favorite Hollywood Goddess’s right now. Add Angie Dickinson, Marilyn Monroe and Kim Novak to that list. Diana, was so adorable with a hot baby-face, English accent and personality to match.

I’ve seen The Run For Doom which is her Alfred Hitchcock Hour episode from 1962, probably twenty times now. And it’s a very good show, but she makes it great. Simply because of her performance on it. Her presence on it is simply overwhelming by the way she moves and her adorable facial expressions. But keep in mind she was a hell of a lot more than a baby-face goddess with a great voice and personality. She was a hell of an actress and a very funny performer as well. She reminds me a lot of Shelley Winters as far as personality and comedic timing.

Diana could make serious parts look funny and keep people staring at her with her with her add living. Again watch The Run For Doom. Or be the funniest person in the room when you let her go off the cuff. Like she did with Bob Hope, Steve Allen and many others. As far as Hooray For Love, again Diana had many talents. She played a singer nightclub singer/gold digger in The Run For Doom. And in this performance she’s singing Hooray For Love on The Steve Allen Show, (Got me for who that show was named after) Great face, great voice, great body on a 5’6 frame. Tall and curvy, but definitely not too tall and I just wish she lived a lot longer and had a much longer career. Because she was so special.
Steve Rogers: The Steve Allen Show- Diana Dors Hooray For Love- 1960

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The Steve Allen Show: Lenny Bruce (1959)

Source:The Daily Review– Comedian Lenny Bruce, on The Steve Allen Show in 1959

Source:The Daily Review

Steve Allen, right before he brought on Lenny Bruce, made a great comment and I realize he was being humorous, but he was damn right on it. He said and I’m paraphrasing, ‘we should just offend everybody so we don’t have worry about offending anyone. And Lenny Bruce is the comedian to do that.’ Because that is exactly what they meaning Steve Allen and Lenny Bruce, were talking about back then. Which was censorship and political correctness, but not from the Left, (the Far-Left really) but the Right. Lenny Bruce, had a message and his own act and issues he wanted to talk about. And he also believed in free speech, which all comedians really should. And he couldn’t give a damn if his act offended people, especially when it was just entertainment anyway.

Comedy, is not for oversensitive tight asses, who think fat jokes are anti-obesity. Or gay jokes are automatically homophobic, or religious jokes Christian, Muslim, whoever else, that person is some bigot towards that religious group. Comedy, is exactly that, a way to critique life and people in life. Including groups and even talk people and groups and their shortcomings. Not to say that every member of whatever group, has some clear flaw, but to point out humorous flaws about members of certain groups and even flaws that some groups carry as a group. The political correctness movement of the 1950s, didn’t want to hear jokes about sex, religion and sure as hell didn’t want to hear adult language. Especially since they still saw adults as kids for the most part who needed to be babysat.

The political correctness warriors of the 1950s, didn’t want to hear jokes about sex, because they believe sex didn’t exist or something. They didn’t want to hear jokes about narcotics, because they were on alcohol or marijuana highs and believed narcotics simply didn’t exist. Lenny Bruce, challenged the political correctness establishment in America and paid a hell of a price for it. All he was about was free speech and talking about issues and using adult language even that most Americans, at least outside of the Bible Belt used anyway, but did it in public. Did it in a way that simply wasn’t done back then for the most part and didn’t become mainstream at all, at least until the late 1960s. He was a true American, because he was an individual who felt the freedom to be himself. And express how he felt about issues even in public.

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